Review: Telling Tales by Charlotte Stein

Not surprisingly, this is another excellent book by Charlotte Stein. Although it is really just a very slightly different take on a familiar Stein characters, it was thoroughly enjoyable.

Four old friends spend a month doing up a house - a spurious excuse to get them together for sexy times. Allie (first person narrator) has had a crush on Wade (compulsory dickhead) ever since College. Her friend Kitty is a good time girl, up for anything. Then there is Cameron, gorgeous repressed, submissive Cam, who has been in love with Allie for as long as Allie has been with Wade.

The revealing of all these secrets is through the telling and reading of deliciously filthy stories. Allie quickly realises that Wade is not for her and that Cameron is willing, eager, to do absolutely everything that Allie wants. It's total wish fulfilment. And utterly hot.

Obviously with four characters stuck in a big empty house, there is plenty of combinations. But the story sticks closely to Allie and Cameron, and the other two (especially Kitty, who isn't really much of a character in and of herself) are just there as a foil to Allie and Cameron. To be the other characters in their stories (sort of meta - stories in stories).

I love that Allie revels in her new found power. The things that Cameron wants - a sort of cuckolding, for him to be the slave, to be her and Kitty's toything, for her to take control,  - they turn her on. And frankly, most of it turns me on too. It skirts near M/f crappiness, but somehow it all seems like part of the relationship between Cam and Allie.

Anyhow, I sincerely enjoyed this. I give it a B+.

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Review: Red Grow the Roses by Janine Ashbless

I think I promised this review back in January. Sorry about the delay. Bad reviewer. Very bad reviewer. <Guilt /> One of the reasons for both the delay and the description of this book as "epic" is the impressive list of kink that it caters to. It think I counted: femdom; fighting; vampire biting; multi-partner M/M/f,  M/f/f/f/f/f, M/M/m/f; a cougar (sort of); humiliation (f); anal (m and f); forced seduction; bondage; rape (or possibly dubious consent); slavery (f); blood; corporeal punishment; torture of the not all that sexual type; torture of the sexual type. And a dual theme of power and roses. That might be it. But I can't guarantee that I haven't forgotten something that might squick you. (Though presumably you don't squick on roses....)

I'm always a bit wary of things that try to do too much (in both life and books) and thus other things have risen in the TBR pile, which to be honest, hasn't been well attended to anyhow (hence the lack of reviews recently.)

The way that Red Grow the Roses deals with the plethora of subject matters is by dealing with each chapter as almost a short story in its own right. Each chapter has a different first person narrator (and I don't think, given the heavy hint about the vampire and blood theme, that it's too much of a spoiler to say that several people, including some first person narrators, end up snuffing it). There are also several (six, one for each vampire I think) extended descriptions from the omnipresent author/god telling the reader about the vampires and where we might encounter them. A sort of intermittent field guide to vampires. If all this sounds a little disjointed, then that's about right. Though I think it is intentional and the threads of the story become intermingled and gradually it becomes (more) clear how everything is connected.

Perhaps you understood this from the long list I began this post with, but this doesn't actually feature a lot of femdom. There are really only two chapters you could tenuously describe as F/m. One ends on a bit of downer by saying that the Domme doesn't really identify with being female anymore. The other is first person from a female character who likes to be in control, but the scenario strips her of any power or agency. (I'm trying not to put in spoilers. I'm really trying.) So as far as femdom goes, this is a total fail. For the femdom aspect, I'd give it a C. It's okay, but it didn't really show femdom in a positive light. I suppose that really it suggested that all power is transient, but the F/m part of this didn't really do it for me. The rest of the book is mainly a combination of male/vampire dominance and women who like being bitten and fucked. Fine, though not my thing. There's some plot, later on in the book, which justifies some of the gore. Some bits are quite sweet: when the alpha vampire submits to having a blow job from his secretary (it's rather more lovely than it sounds). All the humiliation (of a woman) stuff wasn't for me. The male vampires dominating other men for whatever reason was pretty hot, even when it was quite violent. Other parts will turn sensitive stomachs, though its no worse than a standard-ish horror, which mixes up violence, sex, pleasure and pain until you're not sure what is what anymore.

TL;DR: Male vampire perpetrated biting and sex, in all orifices, with varying numbers of partners and degrees of consent. Not femdom. Not really worth getting through all the other stuff for the femdomish bits, unless you like the other stuff.

I don't know if a grade is very meaningful to this. It held my attention and squicked me, but didn't actually stop me reading, which is a testament to the good writing. I was engaged with some of the characters (though sadly not the dominant women, as there's almost nothing about them). It felt like one of those horror films that captures you and you can't look away. I was reluctantly intrigued and aroused. It didn't fill me with fury, like some books have (Ds, Es and Fs, I'm looking at you). So I guess that it's a C-, with a whole stackload of provisos.

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Review: In Her Service by various

Collections of short stories are always a bit hit and miss. In Her Service is no different. Another femdom labelled offering from Mischief books, I picked this up eagerly.

Predictably, Charlotte Stein's story is wonderfully awesome. A pegging story, with romance and anticipation and all the good things that a sexy story should have.

The next story is a switch girl to switch girl story, with feathers and serious stuff like that. I found it rather dull. And yet again, why are the women always switches?

The Perfect Mistress by Monica Belle is an amusing reflection of gender assumptions, those that are prevalent even (? - especially?) in BDSM type communities. David thinks his domme should lose a little weight, be a bit more beautiful and feminine and closer to his fantasy Domme. She is justified in being totally furious and enlists help to teach him the error of his ways. A little predictable, but no worse for that.

A Gift by Willow Sears is not predictable and surprisingly quite good in the same kind of way a horror film is. It does involve brother/sister and non-consent sex, which I squick badly on. But it's well written and funny and the narrator is such an over the top total bitch I found that I enjoyed it despite myself. It does however have that 'domme getting dommed' thing which I feel pretty uncomfortable with.

Chameleon by Lara Lancey is quite interesting, as it has a bit of a twist about who the heroine is. I won't spoil it, but I would say - you wouldn't see many stories where a Dom was like that. Oh no. Men can be normal and dominant, it's only women who have to be nut jobs if they're dominant.

The next story passed in a bit of a blur of nothing specialness, narrated by a forgettable female submissive characters.

The Houseboy by Aishling Morgan is a 'school for naughty boys' type fantasy. Not my thing.

Teasing Timmy by Primula Bond is apparently what happens when two women go and decorate a small cottage in Cornwall. Eye raising but entertaining.

Another 'domme getting what she deserves' type story finishes off the book. I find these really difficult.

So. Overall. I loved Charlotte Stien's story, but the rest was a bit meh. C.


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Review: Three Stages of Love: Lust by TC Anthony

With an undeniable urge to dominate her new boss, her own lust-filled fantasies lead to a transformation that shakes her to her core. But when Alexander challenges Eva to satisfy her carnal urges, she is forced to choose between her career, her desires, and an unconventional and lustful relationship. Consumed by fear and forced to maintain control at all costs, Eva must decide if having it all is worth risking her career, her world, and possibly, love.

That's was what attracted me to this book. An undeniable urge to dominate her new boss. Sounds good - a conflict between bedroom and real life power, with all sorts of kinky and emotional tensions. Unfortunately, I couldn't find any evidence of the story that is described. I actually checked the synopsis several times, because I couldn't believe it was the same book. So there are two plots here - the one that is described and the one that I read. I'll describe the one I read. Presumably your milage may vary given that I clearly read a different book to the one in the synopsis.

Eva gets drunk in a bar with her friend Samantha, sees the sexiest man ever and drunkenly propositions him after falling over herself, literally. Her drunk friends desert her with a complete stranger. Sexy bloke chivalrously sends her home with his private driver (because he's loaded, obviously). 26% through the book all that had happened was that Eva had gotten drunk in bars with her PA, fell at the feet of and then been sent home chastely by a man clearly intended to be the hero, and talked a lot about how great she is. Over a quarter of the way through and I was still yet to see any evidence of Eva being dominant, no actual lust or sexy sex ('bad sex' with the token boyfriend isn't quite the same thing) or almost anything except Eva talking a lot. Mainly in bars while getting drunk. Getting drunk is not a good spectator sport, and even less fun when reading about it. She has an ill friend with cancer, who she visits and talks to a lot, presumably to show what a lovely, kind person she really is.

Eva also seems to be submissive. When eventually, Alexander gets around to appearing again, Eva spends her time thinking about how she wants him to spank her, fuck her against the wall, dominate her, etc. etc. (Yawn.) We hear about what a strong, dominant, spunky woman she is, but it's all tell, not show. I see no evidence of Eva being clever or dominant around Alexander. There's a phrase for this: she talks a good domination.

The tension is (or presumably would be if the plot ever actually moved on) that Eva doesn't believe in love. She was named after a poem about a woman who is totally obsessed by her tragic love, doesn't do anything but pine away in her life and then dies. Eva is determined to not be like this and thus avoids love. Unfortunately, Eva is also sooo desired by everyone and sooo amazing in bed that any man who has sex with her falls in love and spoils her 'sex only' rule. (It was surprising to hear that said, in all seriousness, in the first person.) Alexander on the other hand has never brought a woman back to his bachelor pad, has never licked out a woman - essentially there are a load of awkwardly contrived ways that Eva is "special".

The end for me was 56% of the way through; Eva is proving what a sexy, kinky minx she is, and she says this:

"Well, the salespeople at the adult store know me by name - I get a friends and family discount. I'm not offended by a little role-play and a light whipping on my behind, nor do I mind givinga [sic] whip or two. I like to be creative, you know...silk ties, showers, stone walls. And I can play the boss who happens to have a cup of ice on hand or the employee who knows exactly what to do with the boss's cup of ice."
"Ice." Alexander was intrigued. 

Wow. You kinky girl - silk ties and showers. The problem really is that although she says that she doesn't mind a bit of switching around, we have seen absolutely zero evidence of this in the first half of the book. I think that actually, this is closer to a permutation on the (dreaded) FSOG stalker billionaire man storyline, except with a sexually experienced woman. So instead of the stalker billionaire being the authority on everything, she is the more kinky, sexually experienced one (though not really kinky, because then she'd be bad). Admittedly, this is a different take to the standard Harlequin Modern nonsense. Eva isn't a virgin, which is good. But Alexander is still the dominant, even if Eva is rather topping from the bottom. As a remake of FSOG with the sexual experience (though not much else) reversed, this has its merits. As femdom, it doesn't work at all.

Maybe if I'd seen some latent dominance, or a dominant attitude towards Alexander (as opposed to the pathetic, inarticulate (and at first, literally speechless) pool of liquid lust that she turns into), I would be more convinced. Maybe if there was less tell and more show, I would be more convinced. Maybe if the plot moved at a pace faster than glacial timescales. Maybe if more happened in the story, that wasn't hanging out in bars passing notes like teenagers in class. Maybe if it was better written. Maybe if there was some of the advertised dominance and lust. Maybe then, I would have finished this book.

DNF.

Review: Control by Charlotte Stein

I put off buying Control because I was unsure who, if either of the men we meet in the sample, was going to be the HEA hero. The book more or less opens with the heroine being fucked by a potential employee, Andy, over the kitchen table. Gabriel walks in on them and is subsequently employed in Madison's erotic book store. I was concerned that Madison was going to get her HEA as the submissive. There wasn't anything particularly to suggest this - it's just depressingly common in stories that female switches, or even dominants, have to be submissive. My worry was unjustified. I don't think it gives too much away to reveal that quite quickly Madison realizes that tentative submissive virgin Gabriel is the man for her. Andy is a foil to their kinks, to their relationship and to Madison's fear of commitment. He drives the emotional plot and the sex forward and therefore it doesn't feel unnatural for him to be in the story and I don't feel that he poses a risk to the HEA. A nice compromise all in all.

So anyhow, the plot. Madison owns and runs a book store selling erotica, and needs an assistant. The kind of assistance offered by Andy, her first interviewee, is not exactly what she had in mind, but she's enjoying it all the same. Her second applicant walks in on them. Despite herself, Madison thinks about him:

...his too thick glasses and his tweediness and those hunched shoulders...

Well! We've not met a hero like that before and I LIKE IT! It's never quite clear how Madison then employs Gabe, but she does and all sorts of teasing ensues. Andy reappears to fuck Madison, but she gets off much more on teasing Gabe, the thought of him knowing or watching her fuck Andy and the image of him, awkward and turned on by her deliberately provocative actions. At one point, Andy is fucking her and she is thinking:

Gabe bent over me, fucking me the way Andy is while I tell him - I don't beg him - to do it harder. Do it harder, babe, yes. Give it to me I want you. I want you. Just you. 

Though Madison is a switch and somewhat of an exhibitionist and is submissive to Andy, she actually uses him to work out her feelings for Gabe. At one point, Madison and Andy are fucking in the kitchen (again) and Andy says to her:

'Make up your mind, hon. I'm going to come pretty soon and then you'll kick my arse out of here.'

So although when they're having sex she's Andy's submissive, in many other ways, Madison is in control. Which makes it somewhat surprising that Madison doesn't spit it out when it appears that she wants to be dominant with Andy and Gabe together. Madison doesn't say anything. So you have moments like this:

'Maddie doesn't know what she wants. Isn't that right babe?'
I'm sure I do. I do, right?

It's moments like that that I think that this book could just as easily have been called Confused as Control. And:

I hate Andy. I don't know why I 'm not telling him to get out.

Madison, it's because you like the idea of having two men. Also, he's hot. And you seem to get off on being used. I don't however get off on being used, and I find it difficult to get out of your first person head-space and into Andy's, directing you and Gabe, in order to enjoy the scene.
And again:

Andy just grins - his expression saying dance, puppets, dance, very clearly. I've no idea how he took the reins so quickly, but I understand this much for sure: my own efforts seem weak and third rate, by comparison.

This is, I think, the crux of the issue. It's the old trope of the insecure, nervous heroine: the placeholder heroine. In this case, I think that Madison's unsureness about what she wants and her insecurity about being a dominant is supposed to reflect the reader's potential nervousness about switching from submissive to dominant. It is supposed to make us empathize with Madison, that she can't speak up, or stand up to Andy. Placeholder heroines who are wet blankets generally make me want to slap them. And Madison, when she continually doesn't say anything to Andy when he takes control, really needs to snap out of it.

***Spoilers***

And the miraculous thing is, that in this story, she pretty much does snap out of it. Not exactly the way I would have liked, but good enough to stop me, mid grump. There's a misunderstanding in their threesome while they're having sex. Gabe thinks that Andy is hurting her. Technically, he is, but Madison is enjoying it, but somehow cannot articulate this to Gabe. (A lot of the problems that need to be overcome in this book are to do with Madison being unable to spit out what she really means at the crucial moment.) After they establish that Madison was quite happy, Gabe asks Madison to domme Andy, and she does. The scene that follows is awesome. Though I have reservations about how she got to this point, I find something delicious in the role reversal of Madison protecting Gabe from Andy, and humiliating Andy. Gabe gets off on humiliation, but even so, it's surely the dominant's right /duty/pleasure to protect their submissive. Everyone's happy.

 In another amusing gender trope reversal, it is Gabe who runs away because he thinks that Madison doesn't love him (the classic Harlequin Presents scenario is that the heroine runs away because she believes that the hero doesn't love her). Gabe thinks that Madison loves Andy, who can switch and dom her, whereas he can only be submissive. Madison, thank god, comes to her senses, chases after him and they have their HEA. I'm not quite sure what causes Madison to suddenly decide that she doesn't need to be submissive anymore, when she was being submissive to Andy only the night before. But hey, let's not allow technicalities to get in the way. This is a pretty convincing switch to F/m HEA and that is sooooo good <happy sigh>.

***End Spoilers***

A comparison between this book and Power Play is unavoidable. The characters are very similar: an up-tight heroine who is discovering that she loves being in control; a hero who is discovering just how far his kinkiness goes; a third person that both brings the pair together and keeps them apart. The emotional plots are similar; the setting (work) is similar. Even the covers are the same - with an identical photo of the same couple and a pink color scheme. Both Power Play and Control are written in a visceral first-person narrative and have a great build up of the sex and the relationship and the decent into spine-tingling kinkiness. And they are both HOT HOT HOT.

For me, the plot is more cohesive in Control, and the threesome is much better integrated into the story and the relationship. Power Play blindsided me with unexpected submissive scenes that jarred with the relationship and left me with concerns about the future happiness of the protagonists. Not so in Control.

In terms of characters, the heroes are actually quite different. Gabe is a geeky virgin, whereas Ben (in Power Play) is cooler and more knowledgeable. I felt that Gabe cares much more about Madison than Ben did about Elenor. Comparing the two, I wonder if Ben is more interested in his kink than he is in Elenor, whereas the opposite is definitely true of Gabe.

Often, the review length is inversely proportional to how much I liked the book. Not so here. I've talked about some of the tensions in the story, but I haven't said how amazing the scenes are between Madison and Gabe. Where he licks her out, repeatedly, follows her orders, is teased, denied, directed, spanked and humiliated, it's wonderful. It's incandescently good. The multiple, almost continuous sex scenes are spectacularly erotic. Definitely NSFW and totally distracting.

TL;DR: I have some reservations about this story, but overall, it's a gem. If we're really lucky, perhaps one day Charlotte Stein will write a full femdom story, where the heroine is dominant all the time. Until then, Control is pretty damn good.

B+/A-

The Underworld Series by Kelley Armstrong

I completely loved these books and I found some femdom in them. Not an erotic kind of femdom but just a strong female character kicking ass in a patriarchal world, with her pet boy by her side (kind of literally in this case). This is another of those reviews that frankly, I'm not sure if you'll be interested since it isn't full on erotic femdom. But I kind of think it deserves a place here, in the subtle femdom category.

This review is completely riddled with spoilers which are necessary to explain why this series is that subtle femdom which can be soooo good. I will flag up the spoilers that will significantly affect your enjoyment of the series. I should add, I'm only really talking here about the werewolf books of this series, specifically: Bitten, Stolen, Broken, Frostbitten, Hidden, Beginnings from Tales of the Underworld and the free online graphic short story Becoming.

Elena is a reluctant werewolf, has been a werewolf for 10 years and is living in Toronto. A crisis calls her back to Stonehaven, the pack's home with the pack leader Jeremy and Elena's ex lover/best friend/adversary/worst nightmare, Clayton. They're part of a small pack of werewolves, keeping a low profile and protecting humanity from the rogue idiot werewolves who think it's fun to kill people. The major part of the story for all the books is how the pack neutralize these threats. That is to say - the major part of the books is paranormal suspense thriller. The thread through all the books is the relationship between Elena and Clayton. Elena and Clayton have a difficult fucked up relationship with a complicated history.

All the books are first person narratives from the pov of Elena and don't shy away from letting her solve her own and other peoples, problems. That I think is one of the things I like about these books. Elena has support, is part of a team, but she also strikes out independently (sometimes unwisely, but never TSTL) and does things. She has agency and power and courage and she uses them.

These books don't pull punches on people dying or being hurt on both sides of the them/us divide. There are numerous fight and hunting scenes, with somewhat dispassionate descriptions of the 'gore'. Elena is not a shocked girl who faints at the sight of blood. Actually, she revels in it. Again, I rather like that. It's refreshingly honest somehow that a (were)wolf, a predator, is unabashedly a predator and not just a big dog who runs around.

One of the most interesting things about this series is that in some ways it's all about Elena's journey to accept her anger, her violence, her strength and power and the agency that this gives her. She is concerned in Bitten about being 'normal' and comes to accept what she is and accept Clay's adoration too. Elena struggles against Clay because he relishes her excitement at that part of their life. For Elena, he comes to represent 'not normal'. She feels unlovable and unfeminine because of her liking of violence. I think that there will be dommes out there who have been through, or are currently going through, the same sort of emotional conflicts that Elena has (though probably they don't have the added challenge of changing regularly into a wolf).

Most of the main issues are resolved at the end of Bitten, but there are lingering problems, which are then resolved through the next books. All the books are really about Elena's coming of age (yeah, even 30 somethings can come of age).

***Spoilers***
One of the issues that although Elena for the most part solves her own problems, she's essentially still an underling in a male patriarchal system. Much of the 'action' is actually Elena on her own - not with Clay, or the rest of the pack. The obvious solution? Elena becomes the pack Alpha. It's the last step in the journey really - from denying who and what she is, to being the leader of the pack in the last book.

Elena's relationship with Clay mirrors the journey that Elena has. At the end of Bitten, their relationship is still tentative - Elena has admitted that she loves Clay, but he is still the one pushing towards a relationship and she's holding back. Clay is always pulling Elena with him in terms of commitment - he proposes apropos of nothing, (this is a big spoiler, you might want to skip over it) then he bites her committing her without her knowledge to life as a werewolf, then tries everything to get her to stay with him, wears a wedding ring even though they aren't actually married, wants to have children, etc. etc. Elena is wary at every stage and it is Clay who is pushing the emotional intimacy as well as the physical intimacy. In Frostbitten, they have this exchange:

"...we're making little steps. Saying you love me. Saying you want to be with me. Saying you trust me. And now saying you miss me. The next big hurdle is saying you like your life the way it is."

"I love my life."

That really sums up Elena's journey with Clay. It's a journey to acceptance and happiness (even though that sounds really naff, it's not written like that at all.) Part of that acceptance is accepting that she likes being a werewolf and the strength and violence that comes with that. Clay is the foil to Elena's convoluted and complicated nature. Clay has long accepted who he is and is in some ways Elena's mentor, helping her to be the leader that he needs.

Clay is such an unusual and brilliant character. Not only is he a werewolf who is NOT an 'Alpha', doesn't want to be and is happy following Jeremy and then Elena. He's always in the supporting role rather than 'White Knight'. In several of the books, Elena saves Clay. In Stolen Clay spends most of the book sedated by Jeremy because he's going so mental that Elena is missing. He's Elena's henchman, backup - in short, her husband. In Hidden, Elena describes Clay as:

..the ideal beta-second-in-command, Pack enforcer, Alpha's bodyguard.

And this dynamic works perfectly for Elena and Clay as she likes to be in charge. As she says in Broken: 

Put Clay with a werewolf of roughly the same hierarchical position, whose judgement he trusted, and he preferred to follow orders...  which was fine because I preferred to give them. 

Clay does take the lead in their sex to some extent, but they fight for control and that is incredibly hot. They destroy hotel bedrooms and the naked rolling around 'play' fighting in forest is oh-so-hot. There is also development in this aspect of the story too. In the first book Bitten (and several others) Clay ties Elena up (for reasons that are major spoilers, so I won't go into) but by the last book Hidden, Elena ties Clay down to the bed - and Clay is happy about it. So Elena takes the lead in their lives and Clay is content in his beta/protector role.

So what else is unusual about Clay as a hero? He's a virgin when he and Elena get together and basically never been interested in or with any woman but Elena.  Clay might be antisocial, but his loyalty is never in question. He is fanatically loyal.

***End Spoilers***

TL,DR:  Werewolf thriller books, written from the first person perspective of the female protagonist who is awesome. A sexy sidekick hero. Lots of violence and sex in forests.

If I haven't convinced you by now, I don't think I will be able to. If you're not sure try Bitten, which is in some ways the most interesting of the series, and see if you get hooked.

Review: The Wicked Sex by Lance Porter

Wicked is a bit of an understatement. The women in this book of short stories are mean and without compassion. They are wicked in the real sense of the word: evil, or intended hurt someone.

There are six 30 odd page stories in this book. Some are quite contemporary / realistic, others are fantasy / magical. 

I'm not sure what to think about the fact that one or two of these stories have stayed with me, even though I didn't like them very much. I read this book a while ago and The Land of Giant Supermodels and Mistress of the Hunt I remembered, though the others I had to remind myself of to write this review. That is testament really to how well Porter writes, that I found myself compelled despite myself.

Bound by a Woman
Bee, a mail order bride, turns out to be rather less biddable than her purchaser Gunther expected. She ties him up and steals his money. The scenario is designed for me to feel sympathy for Bee because Gunther has unpleasant expectations of her. But she's such a bitch I don't feel a lot of empathy for Bee, so I feel rather sorry for Gunther.

Teen Tease
 A spoilt, bratty teenage girl teases all the older men in the vicinity. Including her Stepdaddy. And her Mother is complicit. This sort of thing squicks me a lot, especially written in the first person as this is.

The Land of Giant Supermodels
Gullible men end up magically shrunk and slaves to normal sized supermodels. The women use them up like disposable tissues.

Heartless
Detective Angel falls in with women who tease and torture men while investigating a murder from a hotel. Well, sort of. This story again is rather twisted.


Mistress of the Hunt 
An idealistic young man joins a riding stable run by gorgeous posh women who have their stable hands lick their boots clean. But there's a surreal fantastical twist.

Imperatrix
Two dommes in competition - which one can make the most men come from strap-on sex? Fun, and even more fun when they get distracted by each other. I enjoyed this.

I think the problem that I have with these stories is the total disrespect shown for the men. The women are domineering but awful and I don't empathize much with them. The frequency of death of the men in the stories is also an issue. They are powerful stories, but I found them quite unpleasant.

C-

Review: Power Play by Charlotte Stein

Reasons this book is exciting:

• It's only just published - March this year.
• It's by an author I've only just discovered, who has written other femdom books.
• It's part of a new erotica/erotic romance line - Mischief, which features more than one title labeled explicitly as femdom.
• It's very, very hot.

Power Play is a disingenuous title. Yes, there is definitely a theme of power games in this book, but not really play. Play implies light hearted and for me, this is quite a serious book featuring power games. In many ways, it is all the better for that. 

Elenor Harding (Ms Harding) is a editor in a publishing house and in the opening scene she is fucked up the ass by the boss, Mr Woods. Literally. In the next scene, she's fucked up the ass by Mr Woods metaphorically. Woods has left suddenly and Ms Harding has been promoted into his place and is left with a mess of a department since his alcoholism and D/s play has been higher on his priority list than doing his job. Despite her best efforts, Elenor soon finds herself following his example with D/s, (though thankfully not with the scotch) and engages in D/s games with Woods' PA (now her PA), Ben. As Ben and Elenor's relationship develops, it becomes clear that it wasn't just Elenor who was on the end of Woods' sexual power strings.

One of the delicious things about this book is that the build up is really good. Although it is packed full of very hot sex scenes, the beginning of the relationship between Ben and Elenor develops at a nice pace. Erotica can easily fall into the trap of being: meet, lock eyes, fuck, keep fucking, HFN. This isn't like that at all. They're work colleagues and there is a sense of that barrier and a natural progression from fantasy to reality.

I really liked the writing style and the fact that it's written in the first person from the dominant female character's point of view. This seems to be pretty rare, but it gives an awesome 'there in the moment' feelings. I never felt that I was shut out of the headspace of the submissive character, because he was written very much as a 'heart on his sleeve' kind've guy.

One little irritation was that the way that some of the sections/paragraphs were written, I wasn't sure how much time had elapsed since the previous scene, or sometimes even the previous sentence. Several times I ended up scanning back trying to figure out when things were happening.  It was only a minor thing, but it jerked me out of the book, giving me a 'huh, what's going on?' feeling.  

About mid-way through I had pretty much mentally written my glowing review, with my only reservation being what I felt was a token M/f anal sex scene at the beginning. This felt like it was tagged onto the beginning of the book so that there was a sex scene in the sample, but isn't really in keeping with the rest of the beginning of the book which is such a brilliant crescendo. Near the end though, a new question emerged, along the lines of WTF? This next bit contains lots of spoilers.

***** Spoilers *******
Everything has sort of come full circle and yet again, and Elenor is being fucked in the ass on the desk, rather like she was in the opening scene. Except this time, it's Ben, not Mr Woods, Elenor is in control and the whole thing feels much stronger emotionally - she feels out of control and about to bare her soul to him. Then Aidan, Elenor's second in command, walks in. Basically, he takes control of the situation. Oh, Elenor still has some agency but she has to fight for it and I don't really see that she wins. The thing that made me really uncomfortable was this:

'Enough,' I say, but this time he doesn't obey immediately. He waits - he actually waits - until Aidan suggests the same, which probably just makes matters worse. I'm very aware of how disastrous I look, how little power I now have, and I can't deny that those things contribute to the way I then behave.

 Elenor thinks of Aidan's look that,

It's too much like a challenge, which I unfortunately have to meet.

And goes on to order Ben to suck Aidan off, whilst clearly wanting Ben to say 'no'. So the scene effectively ends up being a kind of power struggle between Aidan and Elenor. Ben is suddenly side-lined to being Aidan's plaything and I feel really uncomfortable with that, though it's clearly consensual on his part. I think the issue for me is that I interpret the reason that this scene has Aidan (an otherwise wallpaper character) rather than say, Woods, in it is that it's supposed to be clear that he plays no emotional role. But all I can think is how on earth are they going to work together again?  Elenor allows her professional subordinate dominate her and her submissive, so I don't see how Elenor can continue to credibly be the boss professionally. This isn't resolved in the book, so as a reader I'm left with a big question mark about Ben and Elenor's HFN.

The other issue with this scene is that for a book that is otherwise quite strong on emotional sub-texts, this non-quite menage with a marginal character ends up quite incongruous. In a book full of scenes with just Ben and Elenor, the sudden appearance of this extra scene with another characters feels like it was an add on to fulfill the kinkiness quota. I understand that the point is that Elenor is trying to push Ben's limits to have an excuse to break off the relationship. But Ben doesn't say no, and I feel that it compromises Ben and Elenor's relationship in a way that is difficult to define.
*****end spoilers *****

Elenor is an interesting character. Since it is written in first person, it's actually difficult to really get a hold on what sort of person she is objectively. From inside her head, she's a bit giddy, almost panicky, that she suddenly has control and is constantly second guessing herself even as she's turned on by what she's doing to Ben. It's only really later in the story that we get little glimpses of how others see Elenor as an ice queen. There's also a late mention of a hard childhood. This feels like a justification, along the lines of 'the reason I'm a female who is into domination is because I had a tough childhood'. Yes, it's implied that this bad childhood is the reason for her ice queen-ness, but it's so briefly touched on it doesn't add any insight for me into Elenor's character. It's just there to 'explain' a personality characteristic which doesn't really need justifying or explaining. Elenor is in many ways portrayed as quite a vulnerable, perhaps even weak character. I'm sorry that she isn't portrayed as being a bit stronger and unapologetic for being dominant. Though to be fair I'm being pretty picky, she's an interesting, multi-faceted character, and that has to be a good thing.

Ben, by comparison, is the perfect beta male submissive. He's truly adorable: clumsy and impulsive like an eager puppy. He's not portrayed as stupid or weak, he just truly gets off on being submissive and humiliated. Yes, he tries to force Elenor's hand to get what he wants by deliberately doing his job badly, but I don't see him emotionally or professionally undermine her, so I can easily forgive that. If anything, he's a bit too perfect. But as a character, I love him for being so different to the composed, emotionally repressed dom male or the snivelling worm submissive. He's just a man and that's just wonderful.

I feel that there are unresolved power tensions at the end of this book. We have a nominal HFN for Ben and Elenor, and I believe in that. But are Woods and Aidan going to cause trouble for them? I don't know about that. It's not neatly tied up and in some ways that's quite a nice novelty, quite like real life. But I don't really read for real life, I have enough of that of my own!

All that said, this is great book. As straight up femdom erotica it is hotter and has a more cohesive plot than anything I've read for quite a while. I less read it than consumed it. If I have criticised it, it's because the characters are so engaging that I was disproportionately upset when I found things that I didn't like. Power Play is well written and incredibly visceral and arousing.

B

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Review: Yes, Ma'am. Erotic Stories of Male Submission. Edited by Rachel Kramer Brussel

My husband has had this book for a while and it's a long time since I read it. It's odd, because I don't remember liking it, but re-reading it now, I realize that my recollection was completely wrong. I really did like this collection of vignettes, a lot actually. I think I was confusing this book with another, completely different, book of short stories.

There are 18 short stories, some of them only a few pages, others 30 or so pages. Like all books of short stories, it's a mixed bag. Some really good, some indifferent. On balance though, they're good. A lot are very short though, so it's a bit like eating popcorn - light, tasty and compulsive - you have one and one isn't enough, then two, three and before you know it you're at the end of the book. Again.

The stories vary in topic to some extent, but not in tone. That is to say, they are well judged by the editor to be about the same 'level' when it comes to their content. They're all pretty non-threatening, quite 'mild'. There are simple stories about a husband massaging his wife's feet, with a promise of something to come, as well as stories featuring bondage and humiliation. The mix of stories about new relationships/femdom as a new aspect to a relationship/established femdom relationships also really worked for me.

Nearly all the stories put the relationship at the centre; these aren't vignettes where the mistress walks in, fucks the faceless sub and walks out again. The focus of most of the stories is the emotion interplay and power transfer. This is something a little more nuanced than straight erotica and I liked it a lot. Don't get me wrong, I wouldn't class these as stories as romance - not by a long shot - but they're definitely aimed to cause some emotional arousal as well sexual arousal.

B+

Review: Tempting the New Guy by Alegra Verde

This is a sequel to Taking her Boss, featuring the same cast, plus the title's new guy, Clement Johns. This review contains quite a few lots of spoilers. Ultimately though, it's a short story, (582 kindle 'locations' long), so everything you say about it is going to be a spoiler. Anyhow, you've been warned.

The brief synopsis is: Glory flirts with the new guy, she has a duty fuck with Bruce and he tells her that he doesn't want her seeing other men any more. She goes on a date with the new guy. She and Bruce have a pretty weird cunnilingus scene. She goes out with the new guy again, fucks him, then Bruce announces his presence at her flat. They make up and he leaves for the weekend. Then she hands in her resignation, resolving to be rid of the whole thing (Bruce, the new guy, etc.).

If that sounds disjointed, that's because it is. I want to like this book, really I do. But I was left profoundly unsatisfied. In case there's an doubt, the sex scenes are: a jealousy fuck with him in charge; a slightly odd her in charge sex scene; then a vanilla sex scene with the new guy of the title. In between these scenes, I'm not really sure where the story is going. We have relationship development between Glory and the new guy, but there's always Bruce in the background. And Glory's attitude is downright strange. Contradictory, or lying to yourself, I could deal with but she's rather beyond that.

I was beginning to feel like an indentured whore who'd let out her vagina for the duration of her employment at Davies and Birch. What began as a little fun was becoming a duty.

There's nothing sexy in that for me. Then two pages later, she's wiggling around, putting on a show for him. Then she gets her lipstick and applies it to her labia. Yes, that's the word used. Again, that doesn't do it for me (no disrespect to those who like this idea). So he gets her off, or I think he does anyhow, the phrase is:

Ignoring the pain [of her pulling his hair], he continued the assault [of his tongue] until my womb began to tighten and spasm.

That sounds, um. Unpleasant actually. Like period pain. So, anyhow, he's there and aroused, so she decides to use his cock and won't allow him to touch her. That should be really hot, but Glory seems so genuinely angry that as a reader I can't enjoy the ride (pun intended). Since the story is told in the first person it's difficult/impossible to get away from how Glory feels. Bruce touches her (against her command) and comes. She walks out and I'm not sure whether she's enjoyed the experience, whether she's come (is "tingling stars" a euphemism for orgasm?) and I certainly don't feel that she's really asserted her authority (which is the point of the scene. I think.).

And then there's the brief sex scene at the end with Johns. Presumably Bruce witnesses the whole thing, which could be hot. But Bruce is emotionally non consensual in both his watching them have sex and her having sex with other men. That makes me uncomfortable. I can like a lot of things if you can convince me that all parties are into it. But if there isn't explicit consent, there needs to be strong tacit or implied consent. This story doesn't give me either and I find Glory's attitude really irritating. I understand that we're supposed to sympathize with Glory because she feels confused and powerless. Or at least, I think that's why we're supposed to sympathize with her. But instead I just feel jerked around.

I said in the review for Taking her Boss that I hoped that Glory would grow into her dominance. I don't feel that she has in this installment. So it's a disappointed C-

Review: Taking her Boss by Alegra Verde

I've picked Taking her Boss as my first review because it's actually a pretty interesting example of some of the things I like and really object to in a book. 

Glory is happily being fucked by a client from work when her boss walks in. Bruce Davies is not especially upset but sees her in a different light and wants her to consider dominating him. Glory doesn't really want to, her internal monologue is unsure and not especially turned on by it,  but she begins to find that life is good when she tells him what to do. When she has a sexual encounter with him, he rewards the whole office with his good mood. When she ignores him, he stomps around like a bear with a sore head.

The relationship is quite interesting and as a submissive, Bruce is clear and unashamed about what he wants. He's a much better character than Glory imo. He wants her to dominate him and he wants to make a relationship of sorts work between them. Glory on the other hand is a strongly opinionated character who is pretty clear that she is uncomfortable but neither stops, nor admits to herself that she likes it.

I really like that this story isn't all about BDSM clubs, pathetic sniveling male submissives and whips. It's a normal kind of guy, who has fixated on a strong, sexual woman. The sex scenes are very hot, without being over the top or completely unrealistic fantasy.

Taking her Boss is written in the first person and has a slightly snarky tone and the suggestion that you are getting a bias view point, which I find enjoyable. But I really struggle with the implication that Glory isn't really enjoying dominating Bruce, that she is "uncomfortable" with it. There is conflict between the fact that she in some ways gets off on dominating him but she will only do it if he demands it. She's doing it because he's demanding it rather than because she likes it. There's a suggestion that she does like being dominant and that she won't admit it to herself - but I'm not sure if I'm really reading that or if I'm hoping that it's the case. This is admittedly an interested dynamic, of a strong woman dominating a man because he is in a position of authority and is making her do it. If that was all, I could deal with that, as it's interesting to explore that power dynamic. However, at one point she speculates:

"I even wondered if his crazy sex habits were the reason he and his wife divorced". 

WTF?? I really have a big problem with that. It suggests that the 'normal' or 'correct' way round is for the man to be dominant. The story line somewhat plays that implication out, with Bruce taking a dominant (or certainly, a leading) role in some of the sex scenes.

All those reservations aside, this is a very hot story with some great femdom type scenes. I'm going to give it the benefit of the doubt and label it femdom, as I'm hoping that Glory will sort it out and decide that she likes being in charge. It probably just about classifies as a romance, as there is an implication of HFN.

Overall, a good but short B-, with reservations about the sub-text.